Tom Davis, owner/operator
Tom Davis has been working in the entertainment field since 1975, when he began working in the Los Angeles area. Starting as a camera-man for General Telephone, he has worked his way through virtually all areas of video, film, and music production. In 1986 he designed and built TEC Award-winning Post Logic Studios where he was able to grow a single audio room into a 12,000 sq. ft. post production audio facility in the heart of Hollywood. Then in March of 1990, Tom became Director Of Audio of 525 Post Production and put the picture-only facility in the audio business by introducing the industry to a new way of delivering finished digital audio to a digital video master via the first ever 24 track hard disk workstation.
His career has garnered multiple awards and nominations such as when the International Monitor Awards, sponsored by the International Teleproduction Society, honored Tom with an award for his work on the Zoo-TV special in 1993. He holds a TEC Award nominations from 1991 and 1992, a 1993 Monitor Award nomination for “Rolling Stone 93 - The Year In Review,” a CLIO nomination from 1990, a 2006 Emmy Nomination for the PBS special Barry Manilow Music and Passion, and a 2022 Emmy Nomination for One Last Time: An Evening with Tony Bennett and Lady Gaga.
Nashville, Tennessee has been home for Tom and SeisMic Sound since 1994. Installing the first Euphonix digitally controlled audio console with a 24 track Fairlight digital hard disk recorder brought state-of-the-art mixing and sound design for film and television to Music City. In 2014 he installed the Avid M40 S6 which was the first one in Nashville, along with a Protools dual HDX rig with state-of-the-art plugins. In the summer of 2022 SeisMic Sound became a Dolby certified 9.1.4 Atmos mix facility, making it the first mix-to-picture immersive studio in Nashville.
As concert specials, independent feature films, and television series are now commonplace in Nashville, Tom has become the “go to” guy for artists, managers, and record labels when producing a television event or a concert film. Tom has mixed such diverse projects as CMA Awards, CMT Awards, CMT Crossroads, as well as countless DVDs and broadcast music specials. He has worked closely with a wide range of artists; from Barry Manilow to Ariana Grande, Garth Brooks to U2, and Lady Gaga to Billy Joel.
His career has garnered multiple awards and nominations such as when the International Monitor Awards, sponsored by the International Teleproduction Society, honored Tom with an award for his work on the Zoo-TV special in 1993. He holds a TEC Award nominations from 1991 and 1992, a 1993 Monitor Award nomination for “Rolling Stone 93 - The Year In Review,” a CLIO nomination from 1990, a 2006 Emmy Nomination for the PBS special Barry Manilow Music and Passion, and a 2022 Emmy Nomination for One Last Time: An Evening with Tony Bennett and Lady Gaga.
Nashville, Tennessee has been home for Tom and SeisMic Sound since 1994. Installing the first Euphonix digitally controlled audio console with a 24 track Fairlight digital hard disk recorder brought state-of-the-art mixing and sound design for film and television to Music City. In 2014 he installed the Avid M40 S6 which was the first one in Nashville, along with a Protools dual HDX rig with state-of-the-art plugins. In the summer of 2022 SeisMic Sound became a Dolby certified 9.1.4 Atmos mix facility, making it the first mix-to-picture immersive studio in Nashville.
As concert specials, independent feature films, and television series are now commonplace in Nashville, Tom has become the “go to” guy for artists, managers, and record labels when producing a television event or a concert film. Tom has mixed such diverse projects as CMA Awards, CMT Awards, CMT Crossroads, as well as countless DVDs and broadcast music specials. He has worked closely with a wide range of artists; from Barry Manilow to Ariana Grande, Garth Brooks to U2, and Lady Gaga to Billy Joel.
Jake Davis, lead mix engineer
Jake Davis was raised in the Nashville entertainment industry. What began with a love of music and trips to work with his dad has turned into a successful music career. Working at SeisMic Sound has led to some incredible opportunities and experiences. He has done work at live events such as the CMT Awards, New Years Eve Live: Nashville's Big Bash, CMA Country Christmas and at The Grand Ole Opry. Additionally, he has done post production work for Third Man Records, the Country Music Association, Country Music Television, and Sony Music Entertainment. He strives to have each project sound authentic and invite the listener into a unique experience.
Producing albums and EPs for artists such as Emily Nenni, Teddy and the Rough Riders, William Tyler, or working on master mixing broadcast events like CMT Crossroads are a regular part of his schedule. Comfortable in both studio and live productions, Jake has had the privilege to work alongside and learn from some of the best in the industry. By receiving such lessons from a young age, Jake has been able to cultivate a dedication to artistic expression and high quality audio that makes him incredibly capable in a wide range of settings, be it an at home studio or a Dolby certified Atmos mix facility. His work has been heard everywhere from the Frist Art Museum in Nashville, to LPs on labels such as Merge, Third Man, New West and many more. As things have shifted recently, he has become well known for his ability to achieve incredible sound in some unorthodox genres such as ambient, electronic and new age music in addition to vintage techniques in country, folk and rock. It is his reputation for diversity, reliability and intuition that has allowed Jake to work with Phosphorescent as the recording engineer for the original score to Paul Schrader’s 2024 film “Oh, Canada.”
He was an instrumental part of SeisMic Sound's introduction to mixing in Dolby Atmos during the summer of 2022. His work on Billy Joel: Live at Yankee Stadium was an impressive way to break into the world of immersive audio. His clear talent with a range of audio mixing is a huge pull for many of the clients who seek him out. See his updated list of music credits here.
Producing albums and EPs for artists such as Emily Nenni, Teddy and the Rough Riders, William Tyler, or working on master mixing broadcast events like CMT Crossroads are a regular part of his schedule. Comfortable in both studio and live productions, Jake has had the privilege to work alongside and learn from some of the best in the industry. By receiving such lessons from a young age, Jake has been able to cultivate a dedication to artistic expression and high quality audio that makes him incredibly capable in a wide range of settings, be it an at home studio or a Dolby certified Atmos mix facility. His work has been heard everywhere from the Frist Art Museum in Nashville, to LPs on labels such as Merge, Third Man, New West and many more. As things have shifted recently, he has become well known for his ability to achieve incredible sound in some unorthodox genres such as ambient, electronic and new age music in addition to vintage techniques in country, folk and rock. It is his reputation for diversity, reliability and intuition that has allowed Jake to work with Phosphorescent as the recording engineer for the original score to Paul Schrader’s 2024 film “Oh, Canada.”
He was an instrumental part of SeisMic Sound's introduction to mixing in Dolby Atmos during the summer of 2022. His work on Billy Joel: Live at Yankee Stadium was an impressive way to break into the world of immersive audio. His clear talent with a range of audio mixing is a huge pull for many of the clients who seek him out. See his updated list of music credits here.
Kim Ferrell, studio manager
Kim Ferrell found herself interested in tech at a very young age. What started as running the house mix for church on Sunday mornings grew into the basis for a career in entertainment. She had her first experience with the country music industry in 2008 when she visited the set of Nashville Star and never looked back.
She began working at SeisMic Sound as a summer intern in 2015. This early introduction to the studio allowed her to delve into mixing with instruction from some of Nashville's best. These lessons paid off in 2019 when she got her first TV credit as Music Re-Mix/Audio Sweeting for her work on CMA Fest, and then again in 2020 when she received her first Emmy for her work on Wild Winds: Spirit of the Bison. The short documentary went on to be screened at the 2021 UN Climate Change Conference in Glasgow, Scotland as part of The Voiceless Revolution event sponsored by Planet Shine.. Her second short form documentary was filmed in Cuenca, Ecuador where Kim served as translator, producer, and editor for Tango Para La Vida. The film earned both a regional Emmy nomination and a 2023 Telly Award. These accomplishments reaffirmed Kim's passion for non-fiction productions and encouraged her to keep working on projects containing powerful messages.
Kim’s talent, along with her degree from Taylor University in 2022 for Film and Media Production, facilitated her move up from the role of intern and into that of mix assistant at SeisMic Sound. Since then she has taken the local film community by storm, adding her own creative flair and talents to projects like HiPhi Production’s Clone Cops, Holleyland Picture’s The Good Fight, and Imagine Land 2040 from Tomorrow In Focus. She’s become one of very few who can boast having had two of her film works featured at UN Summits before the age of 25.
Amidst brushing shoulders with music industry stars on A2 and ProTools Operator gigs, she also acts as studio manager, organizing client visits or recording sessions, chiming in on the studio's social media, and heading up the vast majority of SeisMic’s VO and ADR sessions. Kim’s approachable demeanor and bubbly personality make her a shoe in for direct client work. Because of her administrative skills combined with training in both audio and video editing, she is an invaluable asset to have in an audio for video facility. While music and audio are her passion, she is an Avid Certified User for Media Composer and actively pursues new learning opportunities.
She began working at SeisMic Sound as a summer intern in 2015. This early introduction to the studio allowed her to delve into mixing with instruction from some of Nashville's best. These lessons paid off in 2019 when she got her first TV credit as Music Re-Mix/Audio Sweeting for her work on CMA Fest, and then again in 2020 when she received her first Emmy for her work on Wild Winds: Spirit of the Bison. The short documentary went on to be screened at the 2021 UN Climate Change Conference in Glasgow, Scotland as part of The Voiceless Revolution event sponsored by Planet Shine.. Her second short form documentary was filmed in Cuenca, Ecuador where Kim served as translator, producer, and editor for Tango Para La Vida. The film earned both a regional Emmy nomination and a 2023 Telly Award. These accomplishments reaffirmed Kim's passion for non-fiction productions and encouraged her to keep working on projects containing powerful messages.
Kim’s talent, along with her degree from Taylor University in 2022 for Film and Media Production, facilitated her move up from the role of intern and into that of mix assistant at SeisMic Sound. Since then she has taken the local film community by storm, adding her own creative flair and talents to projects like HiPhi Production’s Clone Cops, Holleyland Picture’s The Good Fight, and Imagine Land 2040 from Tomorrow In Focus. She’s become one of very few who can boast having had two of her film works featured at UN Summits before the age of 25.
Amidst brushing shoulders with music industry stars on A2 and ProTools Operator gigs, she also acts as studio manager, organizing client visits or recording sessions, chiming in on the studio's social media, and heading up the vast majority of SeisMic’s VO and ADR sessions. Kim’s approachable demeanor and bubbly personality make her a shoe in for direct client work. Because of her administrative skills combined with training in both audio and video editing, she is an invaluable asset to have in an audio for video facility. While music and audio are her passion, she is an Avid Certified User for Media Composer and actively pursues new learning opportunities.
SeisMic Sound, Inc. . 3201 Dickerson Pike . Nashville, TN 37207 . (615)650-6322